• 10 years ago
Transcript
00:00:00You
00:00:30You
00:01:00You
00:01:30You
00:02:00You
00:02:30You
00:03:00You
00:03:30You
00:04:00You
00:04:08So, come on Sandy I promise Langley's pictures tomorrow we'll be here all night trying to get this thing finished
00:04:18I'll keep my shirt on you. Just take yours off
00:04:24Don't worry, baby, I'll get the lines out for you
00:04:30Do I have to pose with that ape again?
00:04:36It's what Lang wants. Well, he knows he's gonna have to pay me more for this job. He knows
00:04:41Well, I still don't like it. He knows that too
00:04:54She knows I made it out Harmon
00:05:00Hey, that was a pretty good picture you made that day. Well the best sellers we ever had
00:05:06Sandra got a hundred buck bonus. Just remember you've got one coming
00:05:10One of these days I'm gonna spill the beans on this little deal what beans?
00:05:16Pictures of you from every angle
00:05:18Or maybe the pictures of Ajax here wailing the tire out of you
00:05:22I'll even give you some prints you can use them for evidence. You know good
00:05:26Come on, come on, let's get going. Well me to help. No, no, I can do it myself
00:05:34Okay, Jax, come on help me move that stuff over there will you and look out for the booze
00:05:48Okay now Sandy sit down
00:05:50Okay
00:05:53Okay now Sandy sit down
00:05:58It's nice and easy
00:06:00Grape it over here
00:06:03Bring it across the back. I want you to bring your arms up
00:06:07Okay
00:06:11Okay now Sandy let's start out with uh, you know nice and easy with an art pose or two
00:06:16Give me that hands behind your head. That's right. Give me the hands behind
00:06:19Straighten up your back honey. Pull your shoulders back
00:06:23That's a girl. Come on. I'll give me a nice smile. Come on. Come on. That's it. Now. Hold it
00:06:29Now let's have
00:06:32Oh, how about hands up the glorious Sun bit
00:06:37Put your hands up
00:06:41Hey Jax tilt that light up a little bit. Well, yeah
00:06:44Yeah, that's perfect
00:06:46Okay, come on Sandy let's cooperate a little huh?
00:06:51Now you're really a beautiful girl. So let's look that way. Come on stretch a little
00:06:55That's it. That's it
00:06:59You're really a great photographer, why don't you give this up and try and do something decent
00:07:06Why don't you you know why I'm in this up to my eyeballs
00:07:13Yeah, me too Sandy
00:07:17You know, uh, sorry what I said before
00:07:23You know, I like you but oh
00:07:27Come on let's move. Well, I call mr. Lang huh drop dead you're creep
00:07:34Okay, Sandy, come on let's shoot something interesting, you know the stuff that sells
00:07:39All right, but remember I'm not double-jointed
00:07:43Yeah, but the the high school kids will buy these pictures. Thank you. Let's try. Anyway, I'll tell you what like to try a different angle
00:07:53Yeah, that's a good angle. I want to see it from the other side
00:07:58That's beautiful
00:08:01Yeah, that's a good angle I want to see it from the other side
00:08:06That's beautiful hold it
00:08:11Okay, just one more anybody got any ideas
00:08:16Say now that's an idea
00:08:20Boy the Lang sees this one
00:08:30All right, I'm in let's go to work
00:08:36Put up a hundred of this one and this one
00:08:45And this one and get rid of the rest of them
00:08:50And this one and get rid of the rest of them
00:09:20What's the matter Sandra you got a problem? Yes, the usual one. You've certainly seen enough of me by now
00:09:26I'm about due for retirement
00:09:29Well, let's see
00:09:50Sandra my dear you're up. Your modeling has been fairly successful
00:09:56Our payroll record shows that including what you received today
00:10:00you have an income and
00:10:03Please report it to the Internal Revenue Department
00:10:07Of nearly $9,000 this year. Well, you asked Larry. He says my pictures are getting hard to sell
00:10:15Yes, my dear. I tend to agree with that
00:10:19I think Sandra's right. Mr. Lang. We ought to let her get out
00:10:23well, well, I
00:10:25didn't know we had a
00:10:28personal interest in this
00:10:31Sandra my dear
00:10:32we've talked about this many times before and
00:10:37This time I think you've made your point. You mean I can get out
00:10:41as a model, yes
00:10:44But you wouldn't want to give up all of this nice money, would you?
00:10:49Carmen say hello to our new recruiting agent
00:10:55Yes, Sandra my dear your new job will be to find us new fresh talent
00:11:01Hey Jax will help you. Hey Jax has an eye for beauty
00:11:05And I isn't all he has I want out. Let me finish please
00:11:11You'll be paid well for your new work
00:11:14Our salesmen have been promised a continuous flow of product
00:11:18So if you're unable to find us new fresh talent, you'll have to do the modeling yourself
00:11:24during the
00:11:26Recruitment period it might prove helpful if you pose with the new girl sort of get her over her initial embarrassment
00:11:35But understand this
00:11:38if you don't secure us the new fresh talent, we're going to have to have a
00:11:43broader variety of poses if you're to do the modeling yourself
00:11:48I
00:11:51Mean
00:12:13I'll bring her out, but you're gonna have to sell her. I can't do anymore
00:12:17She's a sweet kid
00:12:19She may be but a Jax told Lang and Lang told me and I'm telling you this is the girl we want
00:12:28Now I just do my job you do yours and remember this. This is one way to keep a Jax away from you
00:12:47You
00:13:02Kim this is Harmon. Hello. Yeah, she's a young beauty. All right
00:13:09Harmon Kim hasn't done very much modeling before I told her it didn't matter. No, no, that doesn't matter
00:13:16We're just looking for a fresh
00:13:19fresh face
00:13:20Well, I really don't know what this is all about
00:13:23What kind of modeling is this? Well, you folks probably want to talk about this privately Kim
00:13:30I'll wait in your house for you. All right
00:13:37Well, is there anything else
00:13:40You'll do just fine
00:13:44Mr. Harmon, I
00:13:46Really don't think I can do this. Oh, no. No, you let me decide that, huh?
00:13:52Come around here. Let me see your legs
00:13:55My legs, you know your legs gam stems you lower extremities legs
00:14:02Nothing to be ashamed of even some of my best friends are
00:14:05Legs nothing to be ashamed of even some of my best friends have legs
00:14:12Look I don't know if this is right
00:14:15What's this all about?
00:14:18Okay. Okay. I'm sorry if I gave you the wrong idea. Look, here's the deal. I have this job to shoot
00:14:24It's a glamour photograph of shoes and legs are important
00:14:29Now this job should take a little about an hour and it pays
00:14:33$50 in cash
00:14:35Now, may I please see whether you have legs or two fence posts so I can tell whether I even need you for the job
00:14:43$50 in cash
00:14:46Oh
00:15:03Okay, let's make pictures
00:15:10Okay now Kim hold it that little smile, okay
00:15:15That's it Kim
00:15:17Okay. Now, let's have let's see just one more
00:15:21How about the leg up on the chair there?
00:15:24Put it up
00:15:26Yeah, that's right. Point your toes
00:15:33That's the girl
00:15:35Well, that's it for the night
00:15:39You know Kim
00:15:41You're a very pretty girl
00:15:43And for being so nice and a good girl, here's your lollipop
00:15:49You mean that's all there is I'm through it's all there is to it
00:15:54unless maybe
00:15:56Unless what?
00:15:58well
00:15:59unless
00:16:01No, no, you wouldn't wouldn't be interested now. Sure. I'm interested. I love working with you Harman
00:16:07You're so creative and gee I do need the money. Yeah, that's what Sandra said
00:16:14College or something like that, isn't it?
00:16:18Well, I'll tell you about the shop I
00:16:22I don't know if you'd be interested in it, but it'll pay another $50. Of course. I'm interested. Tell me
00:16:29Well, it's just bathing suit stuff. Oh
00:16:32Oh
00:16:33On the beach what?
00:16:36Yeah
00:16:37on a beach
00:16:40You know in the studio
00:16:44Glamour glamour shots
00:16:46it's
00:16:48for a guy who wants to make a
00:16:51Glamour calendar, that's all I
00:16:54Just don't know
00:16:56My father wouldn't like it. Yeah. Well, that's okay. Forget it
00:17:01You know, there's plenty of girls around. It's not like you're leaving me in a hole or anything
00:17:06I'll do it
00:17:09Okay Saturday
00:17:31You
00:18:01You
00:18:31You
00:18:47Another $50
00:18:49I'm sure proud of you Kim
00:18:52You're really solving it away
00:18:54But what I can't understand is why they pay you so much for merely modeling dresses. I
00:19:00Well, it's my size
00:19:02There aren't many girls around that wear this size
00:19:05None that pretty you can bet
00:19:08Who is this fellow Harmon the photographer you're always talking about?
00:19:13He's an absolute doll. It's hardly work at all. And he's a wonderful photographer
00:19:20Maybe he is but I'll never know. I've never even heard of him
00:19:26And where are these pictures you promised me Oh
00:19:29Dad, I can't ask Carmen to make print specially for me. I
00:19:35Said I'd pay for them. Are you sure you asked him at all?
00:19:40Have you told him about the other man in your life me? Oh
00:19:45Daddy, it's not that way at all
00:19:49Well at this rate, you'll have enough money to go to college this fall
00:19:55By the way, what is your next modeling job? I
00:19:59Don't know
00:20:00That money is for the job. I did last week and he hasn't called me lately
00:20:06Are you sure he's satisfied with your work? Oh, I'm sure he is
00:20:10It's just that he isn't asking you to do anything. I wouldn't approve of it. Oh, no, nothing like that
00:20:18Don't you think I want to meet this fellow Harmon daddy, it's just a professional relationship
00:20:26I guess I'm glad to hear that
00:20:28I'm sure he'll call me again. I hope he does Kim if you are accepted at Craxton
00:20:35We will have to have the tuition money ready. Of course, you can always wait a year a year
00:20:42Let's not worry
00:20:45You'll probably call I wish I had enough money so never to have to worry at all
00:20:52You've always taken pretty good care of me. And you know, I love you
00:20:58Besides you're the best father I've ever had
00:21:02Mr. Lang
00:21:04We're gonna lose all our distributors unless we get some new pictures
00:21:09We just haven't got a thing to sell
00:21:11The boys right Harmon. We've put a lot of money into this new girl. What's happening? Well, I haven't called her in a week
00:21:19We'll just have to wait a year. I'm sure she'll be back. I'm sure she'll be back
00:21:24I'm sure she'll be back. I'm sure she'll be back. I'm sure she'll be back
00:21:27I'm sure she'll be back. I'm sure she'll be back
00:21:29We'll just have to wait a year
00:21:32Man when she gets edgy. We'll just pull her into the net
00:21:37Poor kid. Oh look Harmon. I
00:21:40Think you're on the wrong track with this Kim anyway
00:21:43You know that she's known all over school as the biggest prude since Queen Victoria
00:21:49Larry you stick to the distribution end of the business
00:21:53Kosey fan tutti as Mozart said
00:21:56As Mozart said.
00:21:58What does that mean?
00:21:59It means women are all alike.
00:22:03Not this babe.
00:22:05Take it from me.
00:22:07I tried that one myself.
00:22:09And if I couldn't make it with her, nobody can.
00:22:14Look, boys.
00:22:16Our business is pleasure.
00:22:18Let's do it in front of the camera.
00:22:21Well, I'm willing if she is.
00:22:23Harmon.
00:22:25I'll bet you a week's take that you couldn't take a picture of the two of us that you could sell.
00:22:30Oh, Larry.
00:22:31It's okay. It's okay.
00:22:32None of us are gentlemen anyway.
00:22:35Get out your money, big mouth.
00:22:55© BF-WATCH TV 2021
00:23:25© BF-WATCH TV 2021
00:23:28Gee, I'm sorry, Kim, but I just don't have any assignments that fit you right now.
00:23:36Yeah, yeah, I know you need the work, but...
00:23:40Oh, now, come on, Kim. You're certainly a good model.
00:23:44Uh-huh.
00:23:46What?
00:23:47Oh, uh...
00:23:49Yes, yes, I'm shooting some pictures.
00:23:53But I don't think you'd want to pose for these.
00:23:58Look, Kim, I'll tell you what.
00:24:00Why don't you come down here and we'll talk about it?
00:24:03Oh, no, no, no, not now, not now.
00:24:07Maybe about 5 o'clock, okay?
00:24:10Goodbye.
00:24:17Hey, when you're fiddling, Rome is Britain.
00:24:22The stick's getting cold.
00:24:24Don't worry. I'll put some more fire under it.
00:24:28Besides, it's well done anyway.
00:24:32Hello, loud mouth.
00:24:34Listen, pole ball down here about 5.30, huh?
00:24:38Yeah, yeah, back door.
00:24:40Yeah, the old cloak and dagger stuff.
00:24:43Okay?
00:24:45All right.
00:24:47More contributions to the delinquency of a minor?
00:24:51Well, now, if she's anything like you,
00:24:55contributions would be gladly accepted.
00:24:59Harmon, I could never do that.
00:25:02Well, I told you you wouldn't do it.
00:25:05Haven't you anything else?
00:25:07Look, sweetie, this job will keep me and whoever does the job tied up for weeks.
00:25:12It's a tremendous job.
00:25:14But why does your client have to see me like that?
00:25:18I told you, this company, they make under things.
00:25:23And they want to take a look at you.
00:25:25First, I got them to settle for just a photograph of you
00:25:28instead of a personal inspection.
00:25:32And then I got them to settle for just the upper half.
00:25:35What if I pose in my bra?
00:25:38Look, you want me to lose the deal?
00:25:40Yeah, I shouldn't even be discussing this with you.
00:25:44Look, Kim, do you trust me?
00:25:49I guess so.
00:25:51Did I tell you that this job pays $500 for two weeks' work?
00:25:57$500?
00:26:02Well, I hate to have you pass up that money.
00:26:07So I'll tell you what.
00:26:09You pose for me, and I'll take some shots of you,
00:26:12and then I'll show you the shots.
00:26:14If you don't like them, we won't submit them.
00:26:16Tear them up and forget the whole thing.
00:26:20Is that fair enough?
00:26:23Look, Kim, yes or no.
00:26:26If you don't like that deal, you can get up and leave.
00:26:28There's plenty of models around.
00:26:30I can't sit here all afternoon, you know.
00:26:39Where can I...
00:26:42Back in there.
00:26:49Just the upper half, you said.
00:26:51Oh, come on.
00:26:52What is this, a nursery school?
00:26:53Yeah, yeah, sure, just the upper half.
00:27:31Get up here, Kim, my friend.
00:27:45Oh, come on, come on.
00:27:47I've done enough bathing suit shots of you
00:27:49to know that you won't be embarrassed to give me the dress.
00:27:59Yeah.
00:28:04Give me the rarest thing every time.
00:28:08Now, as soon as I fix this light, we'll get started.
00:28:22Okay.
00:28:27Okay.
00:28:30Just about...
00:28:35Move it to the left.
00:28:38Okay, now, let's make...
00:28:41Put your hair over your left shoulder.
00:28:44And give me the hands behind the neck.
00:28:47That's it.
00:28:48Now look just to the right of that light there.
00:28:50Now put your right shoulder back a little bit.
00:28:54Straighten up now.
00:28:56Come on, come on, Kim, smile.
00:29:00That's it.
00:29:01Okay, hold it.
00:29:08Okay, Kim, now that was fine.
00:29:10Now turn to your right.
00:29:13That's the girl.
00:29:15Okay, now for this shot, tell you what you do,
00:29:18put your hair back on your back there,
00:29:22where it was before.
00:29:23That's the girl.
00:29:25Okay, now put your arms up stretched.
00:29:27Arms up stretched.
00:29:28Come on, way up stretched.
00:29:30Come on, Kim.
00:29:32Pull your tummy in.
00:29:33Put your arms out further stretched.
00:29:36Like you're diving.
00:29:37Come on, come on.
00:29:39Now smile.
00:29:40Hold it.
00:29:41There, that's good.
00:29:43I tell you what, Kim, let's do that again, huh?
00:29:48Put your hair over your shoulder.
00:29:51Left shoulder there.
00:29:52And, you know, back the way you were.
00:29:54Arms out stretched.
00:29:57Who's that walking?
00:29:59It's just me walking.
00:30:01Okay, now arms out stretched.
00:30:03That's it.
00:30:05Okay.
00:30:06Hey, look this way.
00:30:10Thanks a lot.
00:30:14Now that'll look good in my scrapbook.
00:30:20Hey, Kim, when you're through with your hysterics,
00:30:25get dressed and get out of here.
00:30:28You've got business to discuss.
00:30:34That'll be one bet it'll be a pleasure to lose.
00:30:40You know something?
00:30:43There's only one other person in this world more disgusting than you.
00:30:49Who?
00:30:50Ajax?
00:30:54Me.
00:31:19Kim, Kim, what's the matter?
00:31:21Oh, that awful boy, that Larry.
00:31:24He told me I'd have to pose.
00:31:26Pose without any clothes on or he'd show the pictures to my father.
00:31:31That little snake.
00:31:33Sandra, what'll I do?
00:31:35What'll I do?
00:31:36Well, first of all, honey, don't get hysterical.
00:31:39It's not going to help you.
00:31:41I'm better now.
00:31:43Sandra, what can I do?
00:31:45I can't let them show those pictures.
00:31:48What do they want them for?
00:31:50Why would Harmon do that?
00:31:52I thought he liked me.
00:31:54You want my advice?
00:31:56Well, here it is.
00:31:58You're not going to like it, honey, but hear me out, please.
00:32:01If you don't go along with these morons,
00:32:03they're going to place your bosom all over this town.
00:32:07Honey, my suggestion is this.
00:32:10Don't pose for them.
00:32:20But, but I can't.
00:32:22Why would they do such a thing?
00:32:25Do you want them to show those pictures all over town?
00:32:28Kim, you've got to do it.
00:32:31They probably won't even use film.
00:32:33All they want to do is take a good look.
00:32:37That won't help, Kim.
00:32:39You've got to make up your mind.
00:32:41Snap out of it, honey.
00:32:43Haven't you ever been looked at by a man before?
00:32:46You mean without?
00:32:48Of course not.
00:32:50I don't know what to do.
00:32:53You really think if I...
00:32:55It's the only way I know these kids, honey.
00:32:58They send snapshots to your father just to be mean.
00:33:02All you do is turn your head away when they snap the picture.
00:33:05That's all.
00:33:10I guess you're right.
00:33:12It's my own fault for posing for Harmon in the first place.
00:33:17I'll have to go through with it.
00:33:20But then I'm through with Harmon for good.
00:33:23Even if I can't go to college this fall.
00:33:39© BF-WATCH TV 2021
00:34:09She's hooked.
00:34:24Come on, let's go. Off with the clothes.
00:34:27Come on, Ajax. Quit acting like the APR, will you?
00:34:33Look, Kim, I'm truly sorry about this. I gotta...
00:34:36Look, he's right. We're not here to serve tea.
00:34:40You know the rules.
00:34:42No face shots until Ajax leaves the room.
00:34:46Look, little Miss Bright Eyes.
00:34:49You're in no position to dictate the rules.
00:34:52You know, you were pretty anxious to show off your body to Harmon.
00:34:56Well, now it's our turn.
00:34:59And if I want to sell tickets, I'll do it.
00:35:01Yeah, and another thing, too.
00:35:04Ajax stays, see?
00:35:07You're just lucky there aren't a dozen of us.
00:35:11And have you ever seen Ajax in action?
00:35:17He's like a mad bull.
00:35:19Now, you give me a hard time and I'll just...
00:35:21Listen, punk, one more word and I'll pick you up off the floor with a mop.
00:35:25Now, this conversation was no part of the deal.
00:35:28Ajax can stay, but no more of this nonsense.
00:35:32Ah, who wants her anyway?
00:35:35You mean I can go?
00:35:38No, Kim, I'm afraid not.
00:35:41Come on, come on, let's get started here.
00:35:43Kim, you better go in the dressing room and get ready.
00:35:49Go ahead, Kim.
00:35:51Ah, let her undress here.
00:35:54You better get going.
00:36:03Come on.
00:36:09Okay, is everything ready?
00:36:12Say, how did I ever get mixed up with you two characters anyway?
00:36:16You're mixed up, all right.
00:36:18I'll tell you that.
00:36:20You try to get unmixed and you're going to lose your bankroll
00:36:24in about ten years to boot.
00:36:27You know, you can always make those license plate mug shots at Leavenworth.
00:36:32You'll be right there with me.
00:36:34Not me, Daddy-O.
00:36:36Now, you forget I'm a minor.
00:36:39And the worst that can happen to a juvenile offender is probation.
00:36:43And Mr. Lang said so.
00:36:45And I'll tell you the truth, it's worth it for the dough that I'm making.
00:36:53You don't want me in these shots, huh?
00:36:55Why, you moron.
00:36:57You want to spoil everything?
00:36:59You know, she can still walk out until we get these shots.
00:37:02That stuff we shot the other day isn't even illegal.
00:37:05Yeah, he's right.
00:37:07Just, uh, just wait a couple of days.
00:37:10Today you can sit in a dark corner and just, uh, just look.
00:37:14Or, uh, whatever else you want to do, HX.
00:37:17Because nobody's going to be looking at you.
00:37:20Okay, okay, I'll wait until she's right.
00:37:22What's keeping her now?
00:37:27Come on, slowpoke, shake a leg, huh?
00:37:30Come on!
00:37:32Come on, HX, cut that out.
00:37:34Come on.
00:37:37I'm sorry, Kim, but, uh, well, you better get out of here.
00:37:41I'm about ready.
00:37:43Could I keep my sweater on until I...
00:37:47Yes, yes, you can, uh, leave your sweater on, Kim.
00:37:53Uh...
00:37:58Over here, Kim.
00:38:04Okay, okay, off with the sweater.
00:38:07Please, give me just a moment.
00:38:10Oh, what is it with this red carpet treatment?
00:38:13Who does she think she is, the Queen of Sheba?
00:38:16I said I'd do it, and I'll do it.
00:38:19You said you'd give me the prints and all the negatives
00:38:22from those pictures we took the other day.
00:38:24Yes, and here they are.
00:38:27All the prints?
00:38:29All the prints.
00:38:31But I don't see why you want these
00:38:33when the shots we're going to take today, they're...
00:38:35I want them.
00:38:37Look, Kim, I'll give them to you if I had your solemn word
00:38:41that when you get them, you'll go through with today's posing.
00:38:44I said I'd do it.
00:38:47Kim, you've got to understand.
00:38:49If you refuse after I give you these pictures,
00:38:53I'll have the responsibility of a smash studio.
00:38:57Now, you know Ajax when it gets wound up.
00:39:00I understand.
00:39:02You have my word.
00:39:17Come on, what's she doing?
00:39:19When's that curtain going up?
00:39:33As soon as I adjust the slide, we'll get going.
00:39:44Oh, Mike, wow.
00:39:47Wait till I get my hands on that.
00:39:51Are you finished, honey?
00:39:53No, no, I'm still adjusting the lights.
00:40:00It'll just be, uh, just a few minutes, Kim.
00:40:04What was that?
00:40:05Uh, nothing, nothing, nothing.
00:40:08You took a picture.
00:40:10No, no, honey, I was just, uh, just testing the lens.
00:40:14Over here.
00:40:17You got my face!
00:40:33Hey, give me that sweater.
00:40:44Boy, travel gorgeous.
00:40:46No, Daddy, everything's fine.
00:40:49You don't look like everything is fine.
00:40:52I'm just tired, I guess.
00:41:03Have you heard from that photographer lately?
00:41:06Well, I...
00:41:08No, no, I haven't.
00:41:10Well, I...
00:41:12No, no, I haven't.
00:41:14I don't know why, honey,
00:41:16but I think that photographer is what is the matter with you.
00:41:19Why do you think that?
00:41:22Now, honey, have I touched a wrong nerve?
00:41:26Why isn't everyone just leaving you alone?
00:41:41Well, who's going to get him that watch?
00:41:43Oh, I will.
00:41:49Okay.
00:41:50See this girl?
00:41:51She's sitting right here.
00:41:52She's sitting right here.
00:41:53Over here.
00:41:54Kim.
00:41:55Kim.
00:41:56Oh, hey.
00:41:57Oh, man, look at this.
00:41:58Look at this.
00:41:59That's her.
00:42:00That ain't no kid.
00:42:01Oh, man, look at this.
00:42:06Hey, Doc, Doc, hey, Doc, come on.
00:42:08Come on.
00:42:09Come on.
00:42:10Come on.
00:42:11Come on.
00:42:12Come on.
00:42:13Come on.
00:42:14Come on.
00:42:15Come on.
00:42:16Come on.
00:42:17Go ahead.
00:42:18Man, look at this.
00:42:19What?
00:42:20What?
00:42:21What?
00:42:22Take it easy.
00:42:23Take it easy.
00:42:24Come on, Doc.
00:42:25Come on.
00:42:26Come on.
00:42:27You're Kim, aren't you?
00:42:29Hey, excuse me.
00:42:31I forgot that you're a lady.
00:42:33You speak strange.
00:42:35Hit that right, fellas.
00:42:37Well, I don't know if she's a lady, but I got proof.
00:42:40She sure ain't no gentleman.
00:42:42Ha, ha, ha.
00:42:43Ha, ha, ha.
00:42:44Ha, ha, ha.
00:42:45Ha, ha, ha.
00:42:46Ha, ha, ha.
00:42:47I thought of her.
00:42:49And I needed a special fix.
00:42:51And I referred to you.
00:42:53Larry.
00:42:54You know Larry, don't you?
00:42:56He said you'd be glad to follow his lead.
00:42:59Ha, ha, ha.
00:43:00Ha, ha, ha.
00:43:01Ha, ha, ha.
00:43:02Ha, ha, ha.
00:43:03Ha, ha, ha.
00:43:04I want to help you get Karen up.
00:43:07Ha, ha, ha, ha.
00:43:08Ha, ha, ha.
00:43:12Ha, ha, ha.
00:43:14Ha, ha, ha.
00:43:15Ha, ha, ha.
00:43:16Ha, ha, ha.
00:43:19Ha, ha.
00:43:27Hello?
00:43:28Hello.
00:43:30Is this Miss Sherwood?
00:43:32Miss Sherwood, are you there?
00:43:34Yes.
00:43:35Miss Sherwood, my name is Lang.
00:43:39L-A-N-G.
00:43:41I want to speak with you about something.
00:43:43Are you free to talk?
00:43:45Yes.
00:43:46What is it?
00:43:47Miss Sherwood, I understand you've had some difficulty.
00:43:51I want to help you.
00:43:54Miss Sherwood, do you hear me?
00:43:57I want to help you.
00:43:58How can you help me?
00:44:00Well, now, my dear, this really isn't the kind of thing we discuss on the phone.
00:44:05But if the names Larry and Harmon mean anything to you,
00:44:10I suggest we spend a few minutes in conversation.
00:44:15My dear, let me speak bluntly.
00:44:18You're in trouble.
00:44:19And I'm the only one who can help you.
00:44:22Now, pull yourself together and tell me that you understand that.
00:44:26I... I understand.
00:44:28Good, good.
00:44:30I'll have you picked up in 15 minutes.
00:44:33My office is downtown and there'll be nothing improper.
00:44:37Don't worry about a thing.
00:44:38I only want to talk to you.
00:44:41What do you mean?
00:44:43Just be ready in 15 minutes.
00:44:50Get her.
00:44:52All right.
00:45:09Kim, won't you please sit here?
00:45:17You stay.
00:45:25Kim, as I explained on the phone, you're in trouble.
00:45:31And I'm the only one that can get you out.
00:45:40First of all, I want you to know that I know everything.
00:45:45I know that you posed for Harmon.
00:45:49I know that certain pictures were taken of you,
00:45:51which perhaps didn't flatter you.
00:45:56I also know what Larry forced you to do.
00:45:59And that you want to go to Craxton and you need money.
00:46:04You should understand that if you do go to Craxton,
00:46:09this little episode in your life will be completely over.
00:46:13You can forget about it.
00:46:14The pictures were of someone else.
00:46:17After four years in college, it'll be a dead issue.
00:46:21But how can I go to Craxton?
00:46:24I can't pose for Harmon again.
00:46:27You can go to Craxton and you can pose for Harmon again.
00:46:33Kim, you're in trouble.
00:46:36You'd better listen to me.
00:46:38I won't pose again.
00:46:39I won't.
00:46:40I don't care about Craxton.
00:46:42They can show their filthy pictures.
00:46:44I don't care anymore.
00:46:46Sit down.
00:46:47I'm leaving.
00:46:49Don't be a fool.
00:46:51This is the only man who can help you.
00:46:53I'm getting out of here.
00:46:54Before you leave, there's something you should hear.
00:46:59Larry, come in here through the front door.
00:47:02Yeah, okay.
00:47:11Yes, Mr. Lang?
00:47:15Well, well, well.
00:47:18If it ain't the Queen of Sheba.
00:47:21Or should I say Lady Cadaver.
00:47:23All right, Larry, stop it.
00:47:26Now listen, listen good.
00:47:28I'm issuing you an order.
00:47:30If I don't push that intercom in exactly three minutes,
00:47:34I want you to make a 100 prints of Kim.
00:47:38You got that?
00:47:40I got it, Mr. Lang.
00:47:43I'll work overtime on that.
00:47:45And the first print, the first print,
00:47:48I want to go to Mr. Sherwood, Kim's father.
00:47:51Have you got that?
00:47:53I got it, Mr. Lang.
00:47:55I'll make sure he gets two sets.
00:47:57All right, now get out of here.
00:48:01I said get out of here.
00:48:08Now, Kim, you better sit down.
00:48:14We only have three minutes.
00:48:22It's time for straight talk, Kim.
00:48:28It's not my fault you posed for Harmon.
00:48:32It's not my fault you posed for Larry in the nude.
00:48:37You did it.
00:48:39It's your problem.
00:48:41It's pretty late to act prissy and prim.
00:48:45All you kids make me sick.
00:48:48You act like little Miss Muffet.
00:48:50And down inside, you're dirty.
00:48:52Do you hear me?
00:48:54Dirty.
00:48:56You're greedy and self-centered
00:48:59and think you can get away with anything.
00:49:02And you know better than the girl who sells herself to a man,
00:49:06you're worse because you're a hypocrite.
00:49:09And now little Miss Muffet is in trouble
00:49:12and she's all outraged virtue.
00:49:16Well, you listen, and you listen well.
00:49:19You're damaged merchandise, and this is a fire sale.
00:49:23You walk out of here and your reputation won't be worth 15 cents.
00:49:28You do as I tell you.
00:49:30Do you hear?
00:49:31You do as I tell you.
00:49:37I'm sorry.
00:49:39Sorry for the lecture, my dear, but it was necessary.
00:49:43Now listen well.
00:49:45There are two parts to this.
00:49:47Some of it you'll like.
00:49:49Some of it you may not like.
00:49:51But it won't hurt you.
00:49:53All right?
00:49:55All right.
00:49:56Now let's have the pleasant part first.
00:49:59You'll be given a paid-up one-year tuition to Craxton
00:50:03starting this fall.
00:50:09What's the unpleasant part?
00:50:11He didn't say unpleasant.
00:50:13He said you might not like it, but it won't hurt you.
00:50:17I guarantee it won't.
00:50:20Here's what you do for the money.
00:50:24You'll pose for one day for Harvard.
00:50:29The shots will be nature studies with you, Sandra, and another girl.
00:50:39If you do this graciously, I promise you this will be the end.
00:50:49Sandra has found some more willing models.
00:50:55You're in this?
00:50:57You're the one who got me to pose.
00:51:00Don't hate me, Kim.
00:51:03I was worse off than you.
00:51:06They've got shots of me with Ajax.
00:51:10Ajax?
00:51:12These shots with you are my last.
00:51:15Mr. Lang is letting me get out.
00:51:18Kim, you're lucky.
00:51:20They don't have pictures of you with a man.
00:51:24Let me make a point, my dear.
00:51:27Ajax, what's the word?
00:51:31Lusts.
00:51:32He lusts after you.
00:51:34He wants to be in pictures with you.
00:51:37I could have insisted that you do this, but I'm a gentleman.
00:51:43Well, what's your answer?
00:51:46Let me ask you one question.
00:51:50Is Harmon in this with you?
00:51:54What do you think?
00:51:57Yes.
00:51:58What do you think?
00:52:02Mr. Lang, I've learned a lot right here this afternoon.
00:52:07I guess I've grown up.
00:52:12I'll do what you say.
00:52:15But if this isn't the end, I'll have to tell my father to call the police.
00:52:20Do you understand?
00:52:22I mean it.
00:52:23I know you do, my dear.
00:52:26And I respect your view.
00:52:30Larry, no prints of Miss Sherwood.
00:52:34You got that?
00:52:35No prints.
00:52:39And now I think we can stand adjourned.
00:52:44Marie, you'd better be careful.
00:52:48I don't care anymore.
00:52:50I'm through.
00:52:51I'm going to the police.
00:52:53If I treat these evidence, they can't do much to me.
00:52:57Don't worry, Sandra.
00:52:58I won't tell about you or Harmon.
00:53:01But Larry, that Mr. Lang, and Ajax, they deserve what they're going to get.
00:53:09If they find out.
00:53:11I don't care.
00:53:13By the time they do, they'll be under arrest.
00:53:15That Ajax shouldn't be allowed to walk the streets.
00:53:19I'm going to blow the whistle on this operation once and for all.
00:53:23Marie, be careful.
00:53:31Too late for that now, baby.
00:53:35Too late for that now, baby.
00:53:40Ajax.
00:53:44Ajax.
00:53:46Marie wants to leave us.
00:53:48I think you ought to persuade her to stay.
00:53:53I'm your boy.
00:54:04I'm your boy.
00:54:34I'm your boy.
00:55:04One word is twice as hard on you.
00:55:17We don't like quitters.
00:55:18Please.
00:55:19I wasn't going to do anything.
00:55:20Please.
00:55:21We was going to give you a choice.
00:55:23Me or this.
00:55:25But now I'm going to give you a present.
00:55:28Both.
00:55:29No.
00:55:30One more peep out of you and you'll get twice as much.
00:55:32You understand?
00:55:34I said you understand?
00:55:36Stand up.
00:55:38Stand up!
00:55:44Get on to that stand.
00:56:03Get on to that stand.
00:56:33Give me this, please.
00:57:03Let's go.
00:57:29Okay, Shirley, that's it.
00:57:33Better her than me.
00:57:35Well, Sandy, is Kim here with you?
00:57:38Yeah.
00:57:39I'll let her in with my key.
00:57:40She's back in the dressing room with the other girl.
00:57:43OK.
00:57:44That's all.
00:57:45I ran out of film.
00:57:50Come on, Ajax.
00:57:51Cut that out.
00:57:52Aw, man.
00:57:53I was just getting started.
00:57:55I said cut it out.
00:57:56You can finish it later, little boy.
00:58:00Who wants to?
00:58:03Say, stick around, will you, please, Shirley?
00:58:05I have some other shots with another girl.
00:58:07I'd like to get them out of the way as quickly as possible.
00:58:10Sandy, would you go get Kim, please?
00:58:13Don't bother.
00:58:14I'm here.
00:58:16Well, Kim, I, uh...
00:58:17Please don't.
00:58:18Where do I stand?
00:58:24Over there.
00:59:02Oh.
00:59:03Oh.
00:59:32Oh.
01:00:03Oh.
01:00:04Oh.
01:00:05Oh.
01:00:06Oh.
01:00:07Oh.
01:00:08Oh.
01:00:09Oh.
01:00:10Oh.
01:00:11Oh.
01:00:12Oh.
01:00:13Oh.
01:00:14Oh.
01:00:15Oh.
01:00:16Oh.
01:00:17Oh.
01:00:18Oh.
01:00:19Oh.
01:00:20Oh.
01:00:21Oh.
01:00:22Oh.
01:00:23Oh.
01:00:24Oh.
01:00:25Oh.
01:00:26Oh.
01:00:27Oh.
01:00:28Oh.
01:00:29Oh.
01:00:30Oh.
01:00:31Oh.
01:00:32Oh.
01:00:33Oh.
01:00:34Oh.
01:00:35Oh.
01:00:36Oh.
01:00:37Oh.
01:00:38Oh.
01:00:39Oh.
01:00:40Oh.
01:00:41Oh.
01:00:42Oh.
01:00:43Oh.
01:00:44Oh.
01:00:45Oh.
01:00:46Oh.
01:00:47Oh.
01:00:48Oh.
01:00:49Oh.
01:00:50Oh.
01:00:51Oh.
01:00:52Oh.
01:00:53Oh.
01:00:54Oh.
01:00:55Oh.
01:00:56Oh.
01:00:57Oh.
01:00:58Oh.
01:00:59Oh.
01:01:00Oh.
01:01:01Oh.
01:01:02Oh.
01:01:03Oh.
01:01:04Oh.
01:01:05Oh.
01:01:06Oh.
01:01:07Oh.
01:01:08Oh.
01:01:09Oh.
01:01:10Oh.
01:01:11Oh.
01:01:12Oh.
01:01:13Oh.
01:01:14Oh.
01:01:15Oh.
01:01:16Oh.
01:01:17Oh.
01:01:18Oh.
01:01:19Oh.
01:01:20Oh.
01:01:21Oh.
01:01:22Oh.
01:01:23Oh.
01:01:24Oh.
01:01:25Oh.
01:01:26Oh.
01:01:27Oh.
01:01:28Oh.
01:01:29Oh.
01:01:30Oh.
01:01:31Oh.
01:01:32Oh.
01:01:33Oh.
01:01:34Oh.
01:01:35Oh.
01:01:36Oh.
01:01:37Oh.
01:01:38Oh.
01:01:39Oh.
01:01:40Oh.
01:01:41Oh.
01:01:42Oh.
01:01:43Oh.
01:01:44Oh.
01:01:45Oh.
01:01:46Oh.
01:01:47Oh.
01:01:48Oh.
01:01:49Oh.
01:01:50Oh.
01:01:51Oh.
01:01:52Oh.
01:01:53Oh.
01:01:54Oh.
01:01:55Oh.
01:01:56Oh.
01:01:57Oh.
01:01:58Oh.
01:01:59Oh.
01:02:00Oh.
01:02:01Oh.
01:02:02Oh.
01:02:03Oh.
01:02:04Oh.
01:02:05Oh.
01:02:06Oh.
01:02:07Oh.
01:02:08Oh.
01:02:09Oh.
01:02:10Oh.
01:02:11Oh.
01:02:12Oh.
01:02:13Oh.
01:02:14Oh.
01:02:15Oh.
01:02:16Oh.
01:02:17Oh.
01:02:18Oh.
01:02:19Oh.
01:02:20Oh.
01:02:21Oh.
01:02:22Oh.
01:02:23Oh.
01:02:24Oh.
01:02:25Oh.
01:02:26Oh.
01:02:27Oh.
01:02:28Oh.
01:02:29Oh.
01:02:30Oh.
01:02:31Oh.
01:02:32Oh.
01:02:33Oh.
01:02:34Oh.
01:02:35Oh.
01:02:36Oh.
01:02:37Oh.
01:02:38Oh.
01:02:39Oh.
01:02:40Oh.
01:02:41Oh.
01:02:42Oh.
01:02:43Oh.
01:02:44Oh.
01:02:45Oh.
01:02:46Oh.
01:02:47Oh.
01:02:48Oh.
01:02:49Oh.
01:02:50Oh.
01:02:51Oh.
01:02:52Oh.
01:02:53Oh.
01:02:54Oh.
01:02:55Oh.
01:02:56Oh.
01:02:57Oh.
01:02:58Oh.
01:02:59Oh.
01:03:00Oh.
01:03:01Oh.
01:03:02Oh.
01:03:03Oh.
01:03:04Oh.
01:03:05Oh.
01:03:06Oh.
01:03:07Oh.
01:03:08Oh.
01:03:09Oh.
01:03:10Oh.
01:03:11Oh.
01:03:12Oh.
01:03:13Oh.
01:03:14Oh.
01:03:15Oh.
01:03:16Oh.
01:03:17Oh.
01:03:18Oh.
01:03:19Oh.
01:03:20Oh.
01:03:21Oh.
01:03:22Oh.
01:03:23Oh.
01:03:24Oh.
01:03:25Oh.
01:03:26Oh.
01:03:27Oh.
01:03:28Oh.
01:03:29Oh.
01:03:30Oh.
01:03:31Oh.
01:03:32Oh.
01:03:33Oh.
01:03:34Oh.
01:03:35Oh.
01:03:36Oh.
01:03:37Oh.
01:03:38Oh.
01:03:39Oh.
01:03:40Oh.
01:03:41Oh.
01:03:42Oh.
01:03:43Oh.
01:03:44Oh.
01:03:45Oh.
01:03:46Oh.
01:03:47Oh.
01:03:48Oh.
01:03:49Oh.
01:03:50Oh.
01:03:51Oh.
01:03:52Oh.
01:03:53Oh.
01:03:54What happened to this girl?
01:03:56She, uh, she ran.
01:03:58I suppose she can verify this story.
01:04:01Yeah, if you can find her.
01:04:04What's her name?
01:04:06Uh, I don't know.
01:04:08First time she ever posed for me.
01:04:10You don't expect us to swallow that.
01:04:12I don't expect you to swallow anything.
01:04:16Look, friend, we knew this character.
01:04:18He was a bum, and from his size and reputation,
01:04:21you'd have no trouble proving self-defense
01:04:24if you can produce the girl.
01:04:26Why don't you save yourself a lot of trouble,
01:04:29like a trip to the electric chair?
01:04:31Now, where is she, and what's her name?
01:04:33I told you, I don't know where she is.
01:04:37Well, I do.
01:04:39She's right here.
01:04:41Sandra, who's this?
01:04:44Everything he says is true.
01:04:47That maniac tried to attack me.
01:04:49Harmon defended me.
01:04:51If you give me that baseball bat,
01:04:53I'll give Ajax one more for the road.
01:04:56He was in this pornography ring with a man named Lang.
01:05:00There's nothing like a nice, feminine dame.
01:05:03Let's make a trip to see this fellow, Lang.
01:05:05How come this guy would risk his life defending you?
01:05:09Because, because we're engaged.
01:05:14Yeah?
01:05:15Just when did you two become engaged?
01:05:19Today.
01:05:29Are you sure?
01:05:31All right, burn everything.
01:05:33Burn everything and then blow.
01:05:37Larry, get in here fast.
01:05:49Is something up, Mr. Lang?
01:05:51Ajax is dead.
01:05:52Harmon killed him.
01:05:53I don't know what's going on, but it's every man for himself.
01:05:56Here, you buy yourself a ticket to Outer Mongolia.
01:05:59But, but...
01:06:00Don't butt your head against the stone wall, my boy.
01:06:02A wise general knows when to retreat.
01:06:05Wait, while you're retreating, what do I do?
01:06:07Well, first you burn everything.
01:06:09And then you buy yourself a year's supply of food,
01:06:12and you head for an all-night movie.
01:06:15That's about the only place I can think of
01:06:17where the police might not look for you.
01:06:19Wait a minute, is this all?
01:06:21That's it?
01:06:23We're out of business, lad.
01:06:24Now, wait a minute.
01:06:26You mean you're out of business, Mr. Lang?
01:06:29But now I got a feeling that you're going to give me more money.
01:06:34More money like now.
01:06:37Your intuition is faulty, my lad.
01:06:40All right, let's stop playing games.
01:06:42Either I get more loot, and I mean lots more loot,
01:06:46or I buzz the fuzz,
01:06:49which to squares like you means I call the cops.
01:06:53You forget, my boy, that if you call the police,
01:06:56it'll do you a lot more harm than good.
01:06:59Oh, no.
01:07:01Don't you remember?
01:07:03Well, you told me yourself.
01:07:05I'm a miner.
01:07:07The most I can get is a little money.
01:07:10I'm a miner.
01:07:12The most I can get as a juvenile offender is a year's probation.
01:07:16But you, Lang, you, you'll get five years.
01:07:20That's five years of making little bitty rocks out of great big ones.
01:07:25So, uh, do I get the money?
01:07:28In words of one syllable, kid, no.
01:07:33All right, Mr. Lang, it's your funeral.
01:07:41Oh, no, no, my boy.
01:07:45It's your funeral.
01:07:50What the...
01:08:10Oh...
01:08:28Operator, operator, train has come.
01:08:40♪♪
01:08:52♪♪
01:09:22♪♪
01:09:32♪♪
01:09:42♪♪
01:09:52♪♪
01:10:02♪♪
01:10:12♪♪
01:10:22♪♪
01:10:32♪♪
01:10:43♪♪
01:10:53♪♪
01:11:03♪♪
01:11:13♪♪
01:11:23♪♪
01:11:33♪♪
01:11:43♪♪
01:12:03♪♪
01:12:13♪♪
01:12:23♪♪
01:12:33♪♪
01:12:43♪♪
01:12:53♪♪
01:13:03♪♪