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Purifying Zen: Watsuji Tetsuro’s Shamon Dogen Paperback – April 30, 2011
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“Purifying Zen: Watsuji Tetsuro’s Shamon Dogen makes available in a clear and fluid translation an early classic in modern Japanese philosophy. Steve Bein’s annotations, footnotes, introduction, and commentary bridge the gap separating not only the languages but also the cultures of its original readers and its new Western audience.” ―from the Foreword by Thomas P. Kasulis
In 1223 the monk Dogen Kigen (1200–1253) came to the audacious conclusion that Japanese Buddhism had become hopelessly corrupt. He undertook a dangerous pilgrimage to China to bring back a purer form of Buddhism and went on to become one of the founders of Soto Zen, still the largest Zen sect in Japan. Seven hundred years later, the philosopher Watsuji Tetsuro (1889–1960) also saw corruption in the Buddhism of his day. Watsuji’s efforts to purify the religion sent him not across the seas but searching Japan’s intellectual past, where he discovered writings by Dogen that had been hidden away by the monk’s own sect. Watsuji later penned Shamon Dogen (Dogen the monk), which single-handedly rescued Dogen from the brink of obscurity, reintroducing Japan to its first great philosophical mind.
Purifying Zen is the first English translation of Watsuji’s landmark book. A text intended to reacquaint Japan with one of its finest philosophers, the work delves into the complexities of individuals in social relationships, lamenting the stark egoism and loneliness of life in an increasingly Westernized Japan. In addition to an introduction that provides biographical details on Watsuji and Dogen, the translation is supplemented with a brief guide to the themes and ideas of Shamon Dogen, beginning with a consideration of the nature of faith and the role of responsibility in Watsuji’s vision of Dogen’s Zen. It goes on to examine the technical terms of Dogen’s philosophy and the role of written language in Dogen’s thought.
- Print length192 pages
- LanguageEnglish
- PublisherUniversity of Hawaii Press
- Publication dateApril 30, 2011
- Dimensions5.9 x 0.6 x 8.9 inches
- ISBN-100824835565
- ISBN-13978-0824835569
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- Publisher : University of Hawaii Press; Annotated edition (April 30, 2011)
- Language : English
- Paperback : 192 pages
- ISBN-10 : 0824835565
- ISBN-13 : 978-0824835569
- Item Weight : 10.4 ounces
- Dimensions : 5.9 x 0.6 x 8.9 inches
- Best Sellers Rank: #1,934,724 in Books (See Top 100 in Books)
- #663 in Buddhist History (Books)
- #1,149 in Zen Philosophy (Books)
- #1,578 in Zen Spirituality
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About the authors
Steve Bein is an award-winning author of science fiction and fantasy. You can learn more about the Fated Blades trilogy and his other fiction at www.philosofiction.com. You can also like Steve at www.facebook.com/philosofiction, and follow him on Twitter at @AllBeinMyself.
Steve is also a philosophy professor at the University of Dayton, where he is a specialist in Asian thought. As a philosopher he also writes on pop culture phenomena of all kinds, including what Kant and Confucius have to say to Captain Kirk, how Wonder Woman synthesizes modern day feminism with the bushido code of the samurai, how to live by the Dao of LEGO, why the Zen Master Dogen deserves his own Disney movie, and more.
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The translation is solid and reliable, effectively capturing Watsuji's deceptively approachable prose style. Indeed, in some ways "Shamon Dogen" suffers from its own success in this regard--the portrait of Dogen it paints has so pervasively influenced us that the text seems unremarkably commonplace rather than radical. Only the preface reminds us that Watsuji was really stepping out on a limb, and it still serves as a powerfully eloquent articulation and justification for the deep significance of studying religions without necessarily being religious oneself per se.
Nevertheless, with the situation such as it is, most of the heavy lifting in appropriately contextualizing this essay is going to fall on the introduction and commentary provided by the translator, and here "Purifying Zen" (as the title forebodes) drops the ball somewhat. The commentary after the translation detailing the place of this essay in Watsuji's own philosophical trajectory is thoughtful enough, but the introduction beforehand is marred by several glaring lapses. The ineluctable force of Watsuji's rhetoric coupled with the translator's evident reverence lead him to take Watsuji's characterizations of institutional Buddhism as corrupt and degraded at face value--to be matters of fact rather than matters of narrative strategy. At one point the derogatory language is actually jarring and unworthy of scholarly discourse: referring to Kamakura Buddhism as "something of a mongrel" and "mishmash" hardly does justice to the fascinating complexity of Japanese religious life during this time, and plenty enough sound work in this field is available that such careless ignorance is simply inexcusable. In a similar vein, the real-world necessity for Buddhist temples to secure funding in the socioeconomic environment of the day is apparently an instant sign of decay and inauthenticity, surely a strange claim for an academic who doubtlessly has had to apply for research grants to make or agree with. Basically, it's one thing to accurately report that Watsuji accuses the Soto Zen establishment of figuratively "murdering" Dogen, quite another to close the case guilty as charged merely on his testimony.
Japanese intellectuals in the early half of the twentieth century worked to introduce the western philosophical tradition to Japanese intellectual life. They largely believed that Japan simply had nothing comparable to western rational inquiry, and if Japan was to participate (or compete) in a larger global community, western rationalism needed to find a place in its academic institutions and social life. Many Japanese intellectuals studied in Europe and America and returned home with the writings of Kant, Hegel, James, Schopenhauer, and Heidegger stuffed in their luggage. Watusuji initially fell under the spell of this intellectual climate, with a strong interest in the literary, including Romanticism. But the introduction of foreign ideas at a time of growing nationalism produced a milieu of both admiration and discontent given to the reworking of western ideas to reflect a more Japanese sensibility. Many Japanese found western individualism and a metaphysics of Being dispiriting and aesthetically jarring and questioned the wisdom of any syncretic project with western philosophy. The year 1918 became a turning point in Watsuji's life, when his father, not especially happy with his son's western interests, basically put to him the question "What has Freiburg got to do with Kyoto," to ape a line from classical Christianity. Watsuji, moved by the criticism, started to study intellectuals closer to home.
One of his explorations produced this article on Dogen. Though unimaginable for moderns, Dogen in Watsuji's time was almost completely unknown except to Soto zen monks. Watsuji's article sought to reestablish Dogen as a major light in the Japanese intellectual heritage. "Shamon Dogen" single-handedly rescued Dogen from obscurity, and it is this fact that makes this article historically interesting. It is the first effort to introduce Dogen's philosophy to the world. But as Bein makes clear in his commentary, it is geared toward a Japanese audience and is largely designed to inspire a Japanese audience. Western philosophical concerns lie in the background to themes more in tune with Japanese interests. Watsuji's presentation of Dogen's "Kingdom of Truth" emphasized zazen, poverty,and a strict adherence to a lineage of masters from whom enlightenment could be transferred. Time-space, epistemology, and the dialectics of western philosophy do not in any way dominate Watsuji's presentation. In this sense, Watsuji's article is not a philosophical endeavor. "Shamon Dogen" is an inspirational work designed to promote a native intellectual equal to the influx of western thinkers. To the western reader, it comes off a bit bland and intellectually light. If you are expecting something a western philosopher could appreciate, this book will be disappointing. However, from a standpoint of zen practice and intellectual history, this book should be on every zen practitioner's reading list, as it provides the starting point for all the Dogen studies that followed. It is also a good introduction to Dogen's teachings.
The Japanese coloring in "Shamon Dogen" is interesting. If you like reading it, a comparable film presentation, Zen , struck me as a mirror of Watsuji's article possessing similar themes and concerns, an interesting more contemporary insight into what the Japanese would want to see reflecting a native son's life. If you want a more philosophical book on Dogen, Hee Jin Kim's Eihei Dogen: Mystical Realist is largely considered a classic. Watsuji broached Dogen's thoughts on art and poetry, but a recent publication by Pamela D. Winfield, Icons and Iconoclasm in Japanese Buddhism: Kukai and Dogen on the Art of Enlightenment , offers a more nuanced and complete perspective of Dogen's aesthetics.