Alice Sara Ott & Frédéric Chopin

Alice Sara Ott plays Chopin

Alice Sara Ott & Frédéric Chopin

46 SONGS • 1 HOUR AND 50 MINUTES • MAR 28 2023

  • TRACKS
    TRACKS
  • DETAILS
    DETAILS
TRACKS
DETAILS
1
Chopin: Waltz in A Minor, KK IVb No. 11
01:59
2
Chopin: 24 Preludes, Op. 28 - No. 1 in C Major. Agitato
00:36
3
Chopin: 24 Preludes, Op. 28 - No. 2 in A Minor. Lento
02:45
4
Chopin: 24 Preludes, Op. 28 - No. 3 in G Major. Vivace
00:57
5
Chopin: 24 Preludes, Op. 28 - No. 4 in E Minor. Largo
02:14
6
Chopin: 24 Preludes, Op. 28 - No. 5 in D Major. Molto allegro
00:40
7
Chopin: 24 Preludes, Op. 28 - No. 6 in B Minor. Lento assai
02:10
8
Chopin: 24 Preludes, Op. 28 - No. 7 in A Major. Andantino
00:42
9
Chopin: 24 Preludes, Op. 28 - No. 8 in F Sharp Minor. Molto agitato
01:59
10
Chopin: 24 Preludes, Op. 28 - No. 9 in E Major. Largo
01:59
11
Chopin: 24 Preludes, Op. 28 - No. 10 in C Sharp Minor. Molto allegro
00:34
12
Chopin: 24 Preludes, Op. 28 - No. 11 in B Major. Vivace
00:40
13
Chopin: 24 Preludes, Op. 28 - No. 12 in G Sharp Minor. Presto
01:29
14
Chopin: 24 Preludes, Op. 28 - No. 13 in F Sharp Minor. Lento
02:55
15
Chopin: 24 Preludes, Op. 28 - No. 14 in E Flat Minor. Allegro
00:31
16
Chopin: 24 Preludes, Op. 28 - No. 15 in D Flat Major. Sostenuto "Raindrop"
06:20
17
Chopin: 24 Preludes, Op. 28 - No. 16 in B Flat Minor. Presto con fuoco
01:16
18
Chopin: 24 Preludes, Op. 28 - No. 17 in A Flat Major. Allegretto
03:55
19
Chopin: 24 Preludes, Op. 28 - No. 18 in C Minor. Molto allegro
01:00
20
Chopin: 24 Preludes, Op. 28 - No. 19 in E Flat Major. Vivace
01:26
21
Chopin: 24 Preludes, Op. 28 - No. 20 in C Minor. Largo
01:37
22
Chopin: 24 Preludes, Op. 28 - No. 21 in B Flat Major. Cantabile
02:13
23
Chopin: 24 Preludes, Op. 28 - No. 22 in G Minor. Molto agitato
00:48
24
Chopin: 24 Preludes, Op. 28 - No. 23 in F Major. Moderato
00:47
25
Chopin: 24 Preludes, Op. 28 - No. 24 in D Minor. Allegro appassionato
02:44
26
Chopin: Waltzes, Op. 70 - No. 1 in G-Flat Major
01:43
27
Chopin: Waltzes, Op. 70 - No. 2 in F Minor
01:46
28
Chopin: Waltzes, Op. 70 - No. 3 in D-Flat Major
02:37
29
Chopin: Nocturnes, Op. 9 - No. 2 in E-Flat Major. Andante
04:08
30
Chopin: Waltzes, Op. 64 - No. 1 in D-Flat Major. Molto vivace "Minute"
01:55
31
Chopin: Waltzes, Op. 64 - No. 2 in C-Sharp Minor. Tempo giusto
03:40
32
Chopin: Waltzes, Op. 64 - No. 3 in A-Flat Major. Moderato
03:04
33
Chopin: Grande valse brillante in E-Flat Major, Op. 18
05:41
34
Chopin: Waltzes, Op. 34 - No. 1 in A-Flat Major. Vivace
05:21
35
Chopin: Waltzes, Op. 34 - No. 2 in A Minor. Lento
06:00
36
Chopin: Waltzes, Op. 34 - No. 3 in F Major. Vivace
02:16
37
Chopin: Waltz in A-Flat Major, Op. 42
04:00
38
Chopin: Waltzes, Op. 69 - No. 1 in A-Flat Major
03:14
39
Chopin: Waltzes, Op. 69 - No. 2 in B Minor
03:29
40
Chopin: Waltz in A-Flat Major, KK IVa No. 13
01:18
41
Chopin: Waltz in E-Flat Major, KK IVb No. 10
01:36
42
Chopin: Waltz in E-Flat Major, KK IVa No. 14
02:33
43
Chopin: Waltz in E Major, KK IVa No. 12
02:14
44
Chopin: Waltz in E Minor, KK IVa No. 15
02:33
45
Chopin: Nocturne in C-Sharp Minor, KK IVa No. 16
04:14
46
℗ 2024 UMG Recordings, Inc. FP © 2024 UMG Recordings, Inc.

Artist bios

Pianist Alice Sara Ott was well known as a child prodigy. She has parlayed that fame into an adult career that has included critical acclaim and a contract with the Deutsche Grammophon label that resulted in an innovative collaboration with electronic musician Ólafur Arnalds.

Ott was born in Munich on August 1, 1988. Her father was a civil engineer, her mother a pianist. Ott took up the piano at four, and the following year, she reached the final round of a youth competition in Munich, playing before a full house. At seven, she won Germany's Jugend Musiziert competition, a win followed by a long series of youth contest victories. At 12, Ott matriculated at the Salzburg Mozarteum, studying with Karl-Heinz Kämmerling. In 2005, she appeared as the soloist in the Tchaikovsky Piano Concerto No. 1 in B flat minor, Op. 23, with the Sapporo Symphony Orchestra; reaction was strongly favorable, and since then, she has often toured in Japan as well as in the U.S. and Europe, where a 2008 performance as a last-minute substitute for Murray Perahia drew a standing ovation and broadened her reputation.

The following year, Ott released her debut recording on the Deutsche Grammophon label, a recital devoted to Liszt's Transcendental Etudes. A live Ott performance of the Tchaikovsky Piano Concerto No. 1 and the Liszt Piano Concerto No. 1 in E flat major with the Munich Philharmonic was recorded by the label and issued in 2010. Ott has gone on to make more than ten recordings with Deutsche Grammophon. An exception was one of Ott's most publicized releases, The Chopin Project, a collaboration with electronic musician Ólafur Arnalds. In 2019, Ott announced that she had been diagnosed with multiple sclerosis, but she continued to perform and record. In 2021, on Deutsche Grammophon, she released the album Wonderland, devoted to the music of Edvard Grieg. ~ James Manheim

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Frédéric Chopin was the most famous composer of Polish origin in the history of Western concert music. He was a progressive who revolutionized the harmonic content, the texture, and the emotional quality of the small piano piece, turning light dance forms, nocturnes, and study genres into profound works that were both daring and deeply inward.

Born Fryderyk Franciszek Chopin to a French father and a Polish mother, probably on March 1, 1810, he was a native of Zelazowa Wola village west of Warsaw. In these rustic surroundings, he was exposed to both the classics of keyboard music (including, significantly, those of Bach), by teachers who immediately recognized him as a prodigy, and to Polish folk music, which would be reflected in a pioneering musical nationalism. He quickly outstripped the talents of most of Warsaw's top piano and composition teachers, and when he graduated from the Main School of Music in 1829, professor Józef Elsner pronounced him a genius. That year, Chopin set out on a tour of Austria, Germany, and France. During this period, he wrote his two piano concertos, which contain much of the typical brilliant style of virtuoso piano music of the era, but show the development of a gift for distinctive melody, both ornate and emotionally deep. Chopin returned to Warsaw but departed again, first for Vienna, where he heard news that Poland's uprising against its Russian, Prussian, and Austrian rulers had failed. The Polish national spirit would pervade some of his larger works, including the so-called "Revolutionary" Etude (the Etude in C minor, Op. 10, No. 12). He was encouraged by composer Robert Schumann, who reviewed his Variations, Op. 2, with the words "Hats off, gentlemen, a genius!"

In 1832, Chopin headed for Paris, in many ways the center of European cultural life, and dazzled the city's musical elite, including Franz Liszt, in a concert at the Salle Pleyel. He immediately found himself in demand as a piano teacher, and soon he decided to settle in Paris, although he always hoped to return to Poland. He performed at aristocratic salons, cultivating then-new genres such as the étude (the word means "study," but in Chopin's hands it became much more), the nocturne, the waltz, and, in a Polish vein, the mazurka and the polonaise. After a planned marriage to a Polish girl, Maria Wodzinska, fell through, Chopin met writer Aurore Dudevant, who used the pen name George Sand. The pair began a torrid affair (Sand was married) and traveled together in 1838 to Mallorca, Spain, where they found the local citizenry disapproving of their unconventional relationship and were forced to lodge in a disused monastery. Chopin's creativity was fired, and he would write brilliantly innovative sets of piano music over the next few years. However, the weather turned cold in the winter of 1838-1839, and Chopin's health worsened as he and Sand lived in the unheated building; he was probably already suffering from tuberculosis. Back in France, Chopin and Sand took up residence in Paris and in summers at her estate in Nohant, where Chopin composed prolifically and the couple hosted painter Eugène Delacroix and other members of the cream of French artistic society. The romance cooled, though, and finally ended in 1847. One factor precipitating the breakup was Sand's negative portrayal of Chopin in her 1846 novel Lucrezia Floriani.

Chopin's health was also worsening badly; he found it difficult to perform and could no longer attract crowds as a virtuoso. During political unrest in Paris in 1848, Chopin fled to the British Isles. He performed in London (once for Queen Victoria and Prince Albert) and in Glasgow, where he was the subject of romantic interest from Scots noblewoman Jane Stirling. Chopin, however, remarked that he was "closer to the grave than the nuptial bed," and indeed in November of 1848 he gave what would be his last concert, for Polish refugees. He returned to Paris and continued to receive a steady stream of admirers despite what was clearly a terminal illness; singer Pauline Viardot, according to historians Kornel Michałowski and Jim Samson, remarked that "all the grand Parisian ladies considered it de rigueur to faint in his room." Chopin died in Paris on October 17, 1849. ~ James Manheim

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