I am going to get to that reading: also typical of his idealization of non marketizable culture in the essay is his attribution of pure opposition to the commodity in working class British music, third world literature and women’s literature everything but US working class culture that had been fully commodified as rock and roll by a growing music industry. There is something so wrong here but so fascinating. Jaws is the allegorical triumph of technocracy and the PMC but he wasn’t reading Ehrenreich!