But Camille (though also traumatized) is as an objectively bad person, much like her father. In season two, she’s basically an anti-hero, which is certainly a staple of quality television. But here’s the thing: the public already has a negative view of the shady worlds and industries that Tony Soprano (the mob) or Walter White (meth dealing) or Don Draper (advertising) inhabit. The idea of an anti-hero in wine should be fairly unsettling to those of us who inhabit this world.