Video clip showing wild Ontario Ramps emerging in the Carolinian forest where I share some of my thoughts on what American Beech trees can teach us.

“The beech told the farmer where to plow. Limestone underneath, covered in the best, darkest loam a field could want."

——-

“Plants are willful and crafty and after something, just like people. He tells her, on their drives, about all the oblique miracles that green can devise. People have no corner on curious behavior.

Other creatures-bigger, slower, older, more durable — call the shots, make the weather, feed creation, and create the very air.

"It's a great idea, trees. So great that evolution keeps inventing it, again and again.”

He teaches her to tell a shellbark from a shagbark hickory. No one else at her school can even tell a hickory from a hop hornbeam. The fact strikes her as bizarre. "Kids in my class think a black walnut looks just like a white ash.

Are they blind?"

"Plant-blind. Adam's curse. We only see things that look like us. Sad story, ain't it, kiddo?"

Her father has a little trouble with Homosapiens himself. He's caught between fine folks whose family farms are failing to subdue the Earth and companies that want to sell them the arsenal to bring about total domin-ion. When the frustrations of the day grow too much for him, he sighs and says, for Patty's impaired ears alone, "Ah, buy me a hillside that slopes away from town."

They drive through a land once covered in dark beech forest. "Best tree you could ever want to see." Strong and wide but full of grace, flaring out nobly at the base, into its own plinth. Generous with nuts that feed all comers. Its smooth, white-gray trunk more like stone than wood. The parchment-colored leaves riding out the winter —marcescent, he tells her— shining out against the neighboring bare hardwoods. Elegant with sturdy boughs so much like human arms, lifting upward at the tips like hands proffering. Hazy and pale in spring, but in autumn its flat, wide sprays bathe the air in gold.

"What happened to them?" The girl's words thicken when sadness weighs them down.

"We did." She thinks she hears her father sigh, though he never takes his eyes off the road. "The beech told the farmer where to plow. Limestone underneath, covered in the best, darkest loam a field could want."

They drive from farm to farm, between last year's blights and next year's vanishing topsoil. He shows her extraordinary things..

"We know so little about how trees grow. Almost nothing about how they bloom and branch and shed and heal themselves. We've learned a little about a few of them, in isolation. But nothing is less isolated or more social than a tree."

He teaches her how to see a tree, the living sheath of cells underneath every square inch of bark doing things no man has yet figured out. He drives them to a copse of spared hardwoods in the bottoms of a slow stream. "Here! Look at this. Look at this!" A patch of narrow stalks, each with big, drooping leaves. A sheepdog of trees.

He picks up a thick yellow pickle from the ground and holds it to her. She has rarely seen him so excited. He takes his army knife and cuts the fruit in half, exposing the buttery pulp and shiny black seeds. The flesh makes her want to scream with pleasure. But her mouth is full of butterscotch pudding.

"Pawpaw! The only tropical fruit ever to escape the tropics. Biggest, best, weirdest, wildest native fruit this continent ever made. Growing native, right here in Ohio. And nobody knows!"

They know. The girl and her father. She'll never tell anyone the location of this patch. It will be theirs alone, fall after prairie-banana fall.

Patty learns that real joy consists of knowing that human wisdom counts less than the shimmer of beeches in a breeze. As certain as weather coming from the west, the things people know for sure will change. There is no knowing for a fact. The only dependable things are humility and looking.“

- Richard Powers (from “The Overstory”)