Towards the end of the evening the Conte came to her: "I must tell you the latest news." Immediately the people who happened to be standing near the Duchessa withdrew.

"The Prince, on his return to the Palace," the Conte went on, "had himself announced at the door of his wife's room. Imagine the surprise! 'I have come to tell you,' he said to her, 'about a really most delightful evening I have spent at the Sanseverina's. It was she who asked me to give you a full description of the way in which she has decorated that grimy old palazzo.' Then the Prince took a seat and went into a description of each of your rooms in turn.

"He spent more than twenty-five minutes with his wife, who was in tears of joy; for all her intelligence, she could not think of anything to keep the conversation going in the light tone which His Highness was pleased to impart to it."

This Prince was by no means a wicked man, whatever the Liberals of Italy might say of him. As a matter of fact, he had cast a good number of them into prison, but that was from fear, and he used to repeat now and then, as though to console himself for certain unpleasant memories: "It is better to kill the devil than to let the devil kill you." The day after the party we have been describing, he was supremely happy; he had done two good actions: he had gone to the Thursday, and he had talked to his wife. At dinner, he addressed her again; in a word, this Thursday at Signora Sanseverina's brought about a domestic revolution with which the whole of Parma rang; the Raversi was in consternation, and the Duchessa doubly delighted: she had contrived to be of use to her lover, and had found him more in love with her than ever.

"All this owing to a thoroughly rash idea which came into my mind!" she said to the Conte. "I should be more free, no doubt, in Rome or Naples, but should I find so fascinating a game to play there? No, indeed, my dear Conte, and you provide me with all my joy in life."

CHAPTER SEVEN

It is with trifling details of court life as insignificant as those related in the last chapter that we should have to fill up the history of the next four years. Every spring the Marchesa came with her daughters to spend a couple of months at the palazzo Sanseverina or on the property of Sacca, by the bank of the Po; there they spent some very pleasant hours and used to talk of Fabrizio, but the Conte would never allow him to pay a single visit to Parma. The Duchessa and the Minister had indeed to make amends for certain acts of folly, but on the whole Fabrizio followed soberly enough the line of conduct that had been laid down for him: that of a great nobleman who is studying theology and does not rely entirely on his virtues to bring him advancement. At Naples, he had acquired a keen interest in the study of antiquity, he made excavations; this new passion had almost taken the place of his passion for horses. He had sold his English thoroughbreds in order to continue his excavations at Miseno, where he had turned up a bust of Tiberius as a young man which had been classed among the finest relics of antiquity. The discovery of this bust was almost the keenest pleasure that had come to him at Naples. He had too lofty a nature to seek to copy the other young men he saw, to wish for example to play with any degree of seriousness the part of lover. Of course he never lacked mistresses, but these were of no consequence to him, and, in spite of his years, one might say of him that he still knew nothing of love: he was all the more loved on that account. Nothing prevented him from behaving with the most perfect coolness, for to him a young and pretty woman was always equivalent to any other young and pretty woman; only the latest comer seemed to him the most exciting. One of the most generally admired ladies in Naples had done all sorts of foolish things in his honour during the last year of his stay there, which at first had amused him, and had ended by boring him to tears, so much so that one of the joys of his departure was the prospect of being delivered from the attentions of the charming Duchessa d'A——.

Stendhal, The Charterhouse of Parma, tr C. K. Scott Moncrieff