The Prince went in person a little before noon to arrange in a certain way the shutters of a mezzanino communicating with the room in which His Highness dressed. He returned to this mezzanino shortly after twelve had struck, and there found the soldier; the Prince had in his pocket writing materials and a sheet of paper; he dictated to the soldier the following letter:
"Your Excellency has great intelligence, doubtless, and it is thanks to his profound sagacity that we see this State so well governed. But, my dear Conte, such great success never comes unaccompanied by a little envy, and I am seriously afraid that people will be laughing a little at your expense if your sagacity does not discern that a certain handsome young man has had the good fortune to inspire, unintentionally it may be, a passion of the most singular order. This happy mortal is, they say, only twenty-three years old, and, dear Conte, what complicates the question is that you and I are considerably more than twice that age. In the evening, at a certain distance, the Conte is charming, scintillating, a wit, as attractive as possible; but in the morning, in an intimate scene, all things considered, the newcomer has perhaps greater attractions. Well, we poor women, we make a great point of this youthful freshness, especially when we have ourselves passed thirty. Is there not some talk already of settling this charming youth at our court, in some fine post? And if so, who is the person who speaks of it most frequently to Your Excellency?"
A LETTER
The Prince took the letter and gave the soldier two scudi.
"This is in addition to your pay," he said in a grim tone. "Not a single word of this to anyone, or you will find yourself in the dampest dungeon in the citadel." The Prince had in his desk a collection of envelopes bearing the addresses of most of the persons at his court, in the handwriting of this same soldier who was understood to be illiterate, and never even wrote out his own police reports: the Prince picked out the one he required.
A few hours later, Conte Mosca received a letter by post; the hour of its delivery had been calculated, and just as the postman, who had been seen going in with a small envelope in his hand, came out of the ministerial palace, Mosca was summoned to His Highness. Never had the favourite appeared to be in the grip of a blacker melancholy: to enjoy this at his leisure, the Prince called out to him, as he saw him come in:
"I want to amuse myself by talking casually to my friend and not working with my Minister. I have a maddening headache this evening, and all sorts of gloomy thoughts keep coming into my mind."
I need hardly mention the abominable ill-humour which agitated the Prime Minister, Conte Mosca della Rovere, when at length he was permitted to take leave of his august master. Ranuccio-Ernesto IV was a past-master in the art of torturing a heart, and it would not be unfair at this point to make the comparison of the tiger which loves to play with its victim.
The Conte made his coachman drive him home at a gallop; he called out as he crossed the threshold that not a living soul was to be allowed upstairs, sent word to the auditor on duty that he might take himself off (the knowledge that there was a human being within earshot was hateful to him), and hastened to shut himself up in the great picture gallery. There at length he could give full vent to his fury; there he spent an hour without lights, wandering about the room like a man out of his mind. He sought to impose silence on his heart, to concentrate all the force of his attention upon deliberating what action he ought to take.
Stendhal, The Charterhouse of Parma, tr C. K. Scott Moncrieff