The boat having come within hailing distance, Lodovico called to the boatmen by names which were not theirs; they made no reply, and put into the bank a thousand yards lower down, looking all round them to make sure that they had not been seen by some doganiere.
"I am at your orders," said Lodovico to Fabrizio; "would you like me to take these letters myself to Parma? Or would you prefer me to accompany you to Ferrara?"
"To accompany me to Ferrara is a service which I was hardly daring to ask of you. I shall have to land, and try to enter the town without shewing my passport. I may tell you that I feel the greatest repugnance towards travelling under the name of Giletti, and I can think of no one but yourself who would be able to buy me another passport."
"Why didn't you speak at Casalmaggiore? I know a spy there who would have sold me an excellent passport, and not dear, for forty or fifty francs."
One of the two boatmen, whose home was on the right bank of the Po, and who consequently had no need of a foreign passport to go to Parma, undertook to deliver the letters. Lodovico, who knew how to handle the oars, set to work to propel the boat with the other man.
"We shall find on the lower reaches of the Po," he said, "several armed vessels belonging to the police, and I shall manage to avoid them." Ten times at least they were obliged to hide among little islets flush with the water, covered with willows. Three times they set foot on shore in order to let the boat drift past the police vessels empty. Lodovico took advantage of these long intervals of leisure to recite to Fabrizio several of his sonnets. The sentiments were true enough, but were so to speak blunted by his expression of them, and were not worth the trouble of putting them on paper; the curious thing was that this ex-coachman had passions and points of view that were vivid and picturesque; he became cold and commonplace as soon as he began to write. "It is the opposite of what we see in society," thought Fabrizio; "people know nowadays how to express everything gracefully, but their hearts have nothing to say." He realised that the greatest pleasure he could give to this faithful servant would be to correct the mistakes in spelling in his sonnets.
"They laugh at me when I lend them my copy-book," said Lodovico; "but if Your Excellency would deign to dictate to me the spelling of the words letter by letter, the envious fellows wouldn't have anything left to say: spelling doesn't make genius." It was not until the third night of his journey that Fabrizio was able to land in complete safety in a thicket of alders, a league above Pontelagoscuro. All the next day he remained hidden in a hempfield, while Lodovico went ahead to Ferrara; he there took some humble lodgings in the house of a poor Jew, who at once realised that there was money to be earned if one knew how to keep one's mouth shut. That evening, as the light began to fail, Fabrizio entered Ferrara riding upon a pony; he had every need of this support, for he had been touched by the sun on the river; the knife-wound that he had in his thigh, and the sword-thrust that Giletti had given him in the shoulder, at the beginning of their duel, were inflamed and had brought on a fever.
CHAPTER TWELVE
The Jew, the owner of the house, had procured a discreet surgeon, who, realising in his turn that there was money in the case, informed Lodovico that his conscience obliged him to make his report to the police on the injuries of the young man whom he, Lodovico, called his brother.
"The law is clear on the subject," he added; "it is evident that your brother cannot possibly have injured himself, as he says, by falling from a ladder while he was holding an open knife in his hand."
Lodovico replied coldly to this honest surgeon that, if he should decide to yield to the inspirations of his conscience, he, Lodovico, would have the honour, before leaving Ferrara, of falling upon him in precisely the same way, with an open knife in his hand. When he reported this incident to Fabrizio, the latter blamed him strongly, but there was not a moment to be lost; they must fly.
Stendhal, The Charterhouse of Parma, tr C. K. Scott Moncrieff