“In its own way, Everybody’s Fly also serves as a history book. And not just about hip-hop, but also NYC during its bankrupt and most dangerous days in the 1970s, and the 1980s post-Pop art world that he, Basquiat and Rammellzee inhabited, which helped open the door for the next generation of Black visual artists who began emerging from various art schools a few years later.” - essayist, cultural critic, and Oldster Magazine contributor Michael A. Gonzales on Fab 5 Freddy’s new memoir, and his own connections to the multihyphenate artist.