Over the past decade, one of the many splendor things thatCINEMA has lost, is its place in the cultural conversation. I think we have had the success we did with INVISIBLE NATION because of the goal we had to “keep it in the conversation”.

But the question is “can you do that outside of the documentary realm now?”

From this press release, that seems to be the goal with Neon’s strategy for the new Soderbergh film “The Christophers”: