This week, smart people are engaging this noise, writing (for example) detailed breakdowns of the Renee Good shooting that focus on factual details: Well, see, right here she turns the steering wheel, and watch as the wheels spin, and…. There’s no point in doing this. The performance doesn’t respond to it, but the performers take pleasure and validation from the appearance of opposition, which manifests the terrifying Nazi counterattack they already invented in their minds, making them precisely the Righteous Warriors™ they sought to be, up against the existential struggle they fantasize.