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This comment stopped me for a minute...it put words to something I’ve been trying to do on purpose.

I don’t write to stay in your head.

I write for that moment where something shifts in your body…where it’s not just understood, it’s felt.

The small things.

The almost-touch.

The tension that never quite resolves when you expect it to.

It's not flashy or loud, or heavy plot-driven spectacle…

Just… present.

That kind of writing asks the reader to participate instead of just observe.

To notice what isn’t being said.

To feel what the characters won’t admit out loud.

So when someone describes it like this…especially when they say they don’t usually have the words…that means it landed exactly where it was meant to.

And that means more to me than I can probably explain.

For me, it’s the one that anchor physical sensation into experience, like your naval pull on Sable, the fly, and the subtle body languages.

The one that have questions to think about behind events that stick to the genre/sub genre, make me participate in the journey with the narrative. You create situation for Sable and the guy… Alden (s…

Mar 31
at
1:13 AM
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