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May 2026

Open Submissions until August 17! 5 Writing Prompts, Plant of the Month, Cool cyber-spaces to explore, What’s New at Plants & Poetry?
May 2026
Plants & Poetry House10 LIKES3 RESTACKS
Plants & Poetry House's avatar
Plants & Poetry House
Not May 2025 in the email sent....

Music and memory

The where and the when of a memory of music
Dear friends,
Pádraig Ó Tuama376 LIKES42 RESTACKS
Ioana Badicioiu's avatar
Ioana Badicioiu
I was in 7th grade, in the early 90s, where teaching was dictation and frontal. We were about to experience something different in Mr. Hanganu's Geography lesson. He entered the classroom with his usual map of the world which he would hang in front of the black board. In his other hand, was holding a cassette player. I do not remember his introduction or the relevance to the topic we were studying, but when he pressed play, John Lennon's Imagine started playing. Many years later, when I became a teacher myself, I finally understood that moment and his desire - or maybe even urge - to give or tell us something important about our role and place in the world. I do not know if he is still alive but I am very grateful that I got to honour his memory today.
Kathryn's avatar
Kathryn
I'm in Siena on this Spring morning, far from home, but also in a place that feels like a sort of home. 30 years ago, after our son died and we didn't know how to go on, we came to this beautiful country, this beautiful city. Shortly after, back in our "normal" home, we found Andrea Bocelli and his extraordinary album Romanza. It was the first music we could bear to listen to after our son's death, and we listened to it over and over.
Last night while sipping a glass of wine, I pulled the album up on my phone and played it on our little portable speaker. When the song "Rapsodia" started, we both stilled, transported, brought to new tears, brought back to that time, brought closer to the grief that will always be in our hearts, and to the love.
"Tu, cosi' lontana, seppure ormai cosi' vicino. E l'anima se ne va verso l'eternita''."
Music is both balm to our wounds and a visceral reminder of them. The other beloved Italian singer-- and also song writer/poet-- who has accompanied me during these years is Gianmaria Testa. I am grateful to them both, and to many other musicians (shoutout especially to Leonard Cohen and Nick Cave).
And I'm grateful to so many poets, including Padraig, and to this Sunday morning community.

Upon this rock

“the rock is here, is extremely visible and extremely, oh, eloquent”
Dear friends,
Pádraig Ó Tuama252 LIKES15 RESTACKS
Jo Mosser's avatar
Jo Mosser
I live in some of the oldest mountains, where mind-bogglingly ancient peaks have been rounded by so much time and weather. I have always felt it is the deep bedrock here that helps write the story of our lives… it sends me to other places to meet other rocks.. and pulls me back again to tell about it. Ken Wilber once used a rock as an example of something that will not respond to you if you speak to it and I felt so unimpressed by his inability to relate. I agree with Don McKay about the eloquence of rocks. I’ve never once addressed a rock that did not address me back.
I’ve heard that if you really want to commit to something, tell a rock about it. I once told a pleasingly smooth chunk of sooty basalt that I wanted to be free from the chokehold of my father’s abuses, and we are still in this good conversation.
I once carried seven large stones in the back of my pick up truck--it was like divination, to see their configurations after each drive. I had a mysterious incident in that truck, in which I did not die, and not long after that, I carried these stones on a canoe, with my beloved, and dropped them near the center of an 800ft-deep lake. I return to them in my mind often, to learn about those deep, impossibly deep places.
When I am in need of grounding, I find some exposed bedrock and sit with my back to it. I imagine my bones are remembering something from the stone, or that the stone is listening to me through my bones.
I can’t wait to hear everyone’s stone stories here!
Lisa Marie Simmons's avatar
Lisa Marie Simmons
Hello Pádraig and friends,
Thank you all for another week of generous, thoughtful writing. Thank you, Pádraig, for this prompt and for Don McKay's voice in my ears. His description of rocks as "extremely visible, extremely eloquent” and the way they give us access to deep time struck a chord with me.
The first thing that came to mind from your prompt is a memory from an essay I wrote for Family Stories a few years back about meeting my brother Miles. My brother Miles was adopted before me, though he's younger, as an infant. I arrived on the scene years later at the age of 8.
Here's the extract:
My adoptive parents brought me into the house before the placement was even finalized. During that first full day and night with them, I was certain that this would only be trouble. I didn't trust a soul and had seen from experience that adults were not to be trusted.
Miles took me by the hand and showed me the house. Then the two of us slipped out the front door, sat on the cracked front stoop for a minute, where I stayed silent, pouting. After a few minutes of side-eying me, he pulled me over to the side of the house, where he showed me some rocks.
"This is mica, and they call this 'fool's gold,' and this is my favorite sandstone," he said.
"What's so great about sandstone?" I asked, kicking at the grass.
He took a pale red piece of sandstone, picked up another larger rock and broke the soft red rock into pieces, crushing it with the harder rock. He ground it down as if he were using a mortar and pestle.
Then he picked up the hose, filled a plastic bucket with water, and returned to me. He cupped some water in his hand and let a few drops fall onto our mound of red rock dust. Then, he rubbed it between his fingers to form a kind of paste. He then — very seriously — drew lines on my cheeks and forehead, after his own, and said: "Now we're ready for anything. War paint!"
That red sandstone held everything Miles was trying to tell me. You belong here. I've got you. We're in this together. He called it "war paint”, borrowing language from childhood imagination, not understanding its weight, but what he meant was simpler and deep. We're a team now, we're protected, we're ready. The rock became a bridge between two kids who didn't know how to trust anyone yet, and somehow, through dust and water and ritual, we began. Don McKay was right, rocks are eloquent. That pale red sandstone spoke for my brother when he couldn’t find words himself.

A recollection of a kind thing said

And the making of a map of memory
Dear friends,
Pádraig Ó Tuama339 LIKES29 RESTACKS
Anne Pender's avatar
Anne Pender
I have been working on a poem for a while now, trying to articulate to myself what had moved me so intensely about a comment made at the end of a 30-year college reunion not so long ago. Your prompt this week suddenly clicked it into place, Pádraig – thank you…
"Seen"
I lower my head,
lessen the distance
between your mouth and my ear
to catch your words in the noisy bar:
“You were the one I really wanted to see tonight.”
It has been a long time since the anticipation of me
has lingered in a man’s thoughts.
No matter if just platonic,
a delicious friction
flickers between us.
And I feel a sudden alive lightness at being seen
again; me, here, worth something to someone,
after years of invisible unexistence,
a future now beckoning
unexpectedly on the horizon.
David Levy's avatar
David Levy
High school was a disaster,
Not that anything happened there,
Life was too dangerous
To be visible, so I wasn’t.
Until one day, driving a green VW bug
Through my hometown’s “inner city”,
John Henry sat on a corner playing
The blues guitar. Blues harp in hand,
I asked him “May I join you?”
Sitting eyeball to eyeball, smile to smile,
We played those blues. John Henry
Paused, said “this boy’s got a bit of Soul”. Anointed, baptised, that’s what I was.

A question that’s guided me ...

... for 30 years
Dear friends,
Pádraig Ó Tuama435 LIKES32 RESTACKS
Deb Bonham's avatar
Deb Bonham
When I’ve been in a Sydney ocean pool and I get out all tingley with my back to the sun. Watching other water addicts doing their thing! People are alive and informal at the oceans edge! I also like a full moon rise over the horizon.
Dipti  Vyas's avatar
Dipti Vyas
When do I feel most alive?
Not in becoming
but in the soft undoing
of the one who becomes
when effort loosens
its grip on meaning
and nothing is being held
not even “I”
not even “alive”
just this
without centre
without second
breathing itself
as what it is


The Time underneath Time

and what gives life
Dear friends,
Pádraig Ó Tuama338 LIKES27 RESTACKS
Emily Bruno's avatar
Emily Bruno
When I was a litigator, I had a little ritual around my rage for when opposing counsel or the judge made me really angry. I would slick my hair back into a bun and put on bright red lipstick and then get to work on whatever email, reply, motion, brief, etc. the moment called for. It started as a kind of joke (a signal to others to leave me the hell alone if you don't want your head bitten off), but I soon found this literal "marking" of the emotion actually did help me get into a sort of flow state where some of my best, even creative, legal work was done. I would venture to say it was something of a sacred time. So I think there's something to the way we acknowledge and honor our rage, which can so often feel out of control, that helps us wrangle its wildness just a bit, to where we can work with it. Even if it's just with a coat of red lipstick.
Lisa Marie Simmons's avatar
Lisa Marie Simmons
Hello Pádraig and all of you lovely poets. Happy Mother's Day to those who celebrate, and for those for whom this day is fraught, I am sending you extra special juju.
Pádraig, your poem "Makebelieve" is stunning (as usual), especially "all our songs and stories; our songs about the stories we've forgotten; and all that we've forgotten we've forgotten." That waterfall of forgetting, and the songs that somehow survive it. That feels like the heart of why we keep making things at all.
This question about rage and creativity sent me back to a piece I wrote years ago for HuffPost about being the Black adopted daughter of a woman whose father was in the KKK. I used my fury as fuel, but an important part was making sure the rage didn't corrode the work itself. Rage alone can be corrosive, destructive. We must do no harm, even when we're blazing.
That said, as a micro-to-macro writer, I have so often used my own rage to speak to larger issues, to turn private pain into something that might be useful, that might help someone else see more clearly. The trick, I think, is to let the rage propel you toward the page, then step back and let craft, precision, and empathy take over. The poem (or essay, or protest, or policy, or painting, or song, etc.) becomes the container that holds the heat without letting it burn everything down. (This idea of words as containers that hold meaning is inspired by the splendid Metaphors We Live By (1980) by George Lakoff and Mark Johnson, which I've been fascinated by this last week and highly recommend.) Thank you as ever, community and fosterer of the same!!

We Will Be Known as a Culture That Feared Death and Adored Power

Your weekly Mary Oliver poem and prompt.
Welcome to Dream Work: A Year-Long Writing Journey with Mary Oliver
Poetry Outdoors42 LIKES6 RESTACKS
Alli Bauck's avatar
Alli Bauck
I think I like your poem more than Mary's (probably because I can more closely relate to yours).
The examples listed in the middle were what brought it home for me.
Thank you for sharing!
Poetry Tracks In the Snow's avatar
Poetry Tracks In the Snow
Ash - both poems knocked me over and your response may be my new favorite of yours. So good and sadly so true 💛💛💛

If Suddenly You Feel Joy, Don't Hesitate.

Your weekly Mary Oliver poem and prompt.
Welcome to Dream Work: A Year-Long Writing Journey with Mary Oliver
Poetry Outdoors90 LIKES11 RESTACKS
Miranda Marsh's avatar
Miranda Marsh
Where to find joy in such a troubled world.
Tiny crumbs.
Green shoots pushing through freshly dug soil, ducklings on a pond, a neighbour’s wave.
Hesitate, don’t rush but look, wonder.
Joy can emerge slowly, like a tender shoot, or hit with the force of a shaft of sunlight.
Then don’t hesitate but raise your face to its blessing.
Let it soak your soul.
Jodi Proctor's avatar
Jodi Proctor
When it Feels Impossible
When it feels impossible
to love this world, don’t hesitate—
find a view of the open sky.
Beyond the screens and traffic
the wild still calls for you.
The red winged blackbird wants
you to visit the pond again,
to watch it wing its way through
the tumbling branches of the willow.
Every sunset needs a witness—
put down your phone, put on
your shoes, let yourself be
loved by the wind, let the trees
remind you how to breathe.

Classroom Series: How to Tackle a Theme

Writing on Theme and Poems for Mother’s Day
Dear read poetry friends,
read poetry23 LIKES2 RESTACKS
AHANNON OSASEMEN EBENEZER's avatar
AHANNON OSASEMEN EBENEZER
I love your approach to writing. Poetry writing is not just the act of putting down mere words on a paper but highly stems from emotions. Your approach would make a better poet.
Jaiden Hordosillo's avatar
Jaiden Hordosillo
I think that’s a wonderful perspective. I always struggle with the apathy of pursuing prompts, but this is a great reason. It does drive you to become a better poet.

I Don't Know Who God is Exactly, But I'll Tell You This

Your weekly Mary Oliver poem and writing prompt.
Welcome to Dream Work: A Year-Long Writing Journey with Mary Oliver
Poetry Outdoors535 LIKES55 RESTACKS
Van Burbach's avatar
Van Burbach
Thanks again for a great prompt. This was fun, as I’ve never tried a cento before. Here is my attempt:
The River’s Song
I don’t know who God is exactly.
I only know that the river kept singing.
And how are you so certain anyway that it doesn’t sing?
I only know that the river kept singing.
Sometimes the river murmurs, sometimes it raves.
I only know that the river kept singing.
You don’t hear such voices in an hour or a day.
I only know that the river kept singing.
You don’t hear them at all if selfhood has stuffed your ears.
I only know that the river kept singing.
It could be that I am a tiny piece of God, or at least of his intention and his hope.
I only know that the river kept singing,
which is a delight beyond measure.
Petra's avatar
Petra
At first I was hesitant, but after reading Mary Oliver’s poem several times, I felt inspired. I also read your cento several times and must say you did such a great job. Here is my first-ever cento: https://fromthequietmiddle.substack.com/p/i-and-the-river
I will come back later to read everyone's. <3

Ascension

When they saw him, they worshiped, but they doubted. Matt 28:16
There he is, ascending in all his glory, risen from the dead, on top of the world and the ordinary John, Jim and Pete who see the score: death-zero, Jesus-one, still aren’t willing to give him his props. They give me hope that my full-of-holes faith still has enough substance to cast a shadow, to affirm with shade the radiance of the risen Lord. M…
Holy Poetry14 LIKES1 RESTACKS
Martin King's avatar
Martin King
Faith, hope, wonder, belief in Love.
They rarely sit dormant in our hearts, and instead work in upward and downward spirals. Like so many of your poems, this one helps change the trajectory for me 🙏❤️
Martin Casella's avatar
Martin Casella
One of your best, Frank. Witty, perceptive, thoughtful, and honest. Thank you!


Tiny Cathedrals

Heaven is everywhere we don't think to look.
Tiny Cathedrals Ash Kilback Heaven is everywhere we don’t think to look. Have you ever stopped to kneel next to the white steeple of the mushroom on a thick carpet of green moss? I am certain God was clever and built tiny cathedrals underneath their whimsical caps.
Poetry Outdoors81 LIKES7 RESTACKS
Teresa Stallings's avatar
Teresa Stallings
I've long called nature my "church". To me it resonates much closer than a building. ❤️ Love your poem.
Ged's avatar
Ged
This took me back to re-reading, God's Grandeur, by Gerard Manley Hopkins. He had a way with words! Thank you.

Vol.3 of SpeakEasy Poetry Open Mic on 21st May. Feature Poet Nicole Melanson & theme words 'birds', 'boats', 'flames'

Next week on Thursday the 21st from 6pm, we meet in the Basement of echo&bounce, to share in the sacred song of Nicole Melanson's her debut collection "Sirens" by Calanthe Press.
Well, we couldn’t have asked for a more spellbinding experience at Volume 2 of SpeakEasy Poetry 2026 than the refreshing rainforest of Bert Spinks word-smothing (an auspicious spelling error). We wrote & heard beautiful poems to the themes of moths, elders & blue.
SpeakEasy Poetry4 LIKES4 RESTACKS


The Prism of Poetry: A Rabbit Room Poetry Roundup—Ashlyn McKayla Ohm

By Ashlyn McKayla Ohm
The Rabbit Room and Ashlyn McKayla Ohm123 LIKES49 RESTACKS
Rachel S. Donahue's avatar
Rachel S. Donahue
I should probably be emptying my inbox instead of adding new subscriptions, but there are so many good poets here! 🙈 Keep up the good work, friends!
j j b r i n s k i's avatar
j j b r i n s k i
FRIENDS! So happy to say I personally read and know 3/4 of this amazing list. Such wonderful poetry and poets.

Poetry Prompts #1—May 2026

Part of the purpose of Rabbit Room Poetry is to not only nourish your creativity with excellent featured work but also give you actionable steps for moving forward with your own poetic projects. At the beginning of every month, we’ll be sharing a roundup of poetry prompts created by our Director of Content, Andy Patton, to whet your imagination and laun…
The Rabbit Room54 LIKES6 RESTACKS
Heggel Rafaelano's avatar
Heggel Rafaelano
Prompt #1 Place:
Toil of Tantalus
Furthest of my heights, can’t reach.
Depths of my bends, can’t taste.
Under the homage shade of fig and olive trees,
light rests on craggy branches and green leaves.
I came to realize eternity over dreams.
Even upon relief from my torment,
still asking when this time ends?
Here, the fruits are eaten by winds,
and the water is parched by lands.
I too, always set up tents in extreme,
when there is wilderness in-between.
The ground evolutionarily sips:
“Neither bow: might makes right,
and right that makes its own light”.
The wind ideologically keens:
“You want to keep wanting,
the bonds of old aren’t the promises of now”.
Both are the tortuous spirits of the
philosophy of push and pull. O how
love makes life as sweet as figs,
making it edible, with no vow.
So perched is the Owl of Minerva on
starlit branches. Silent flight, coming
back from dusk with deferred messages.
Turned heads forced by boredom, anguish
or salience? Still the rock is overhead.
To see my neighbors Tityos and Sisyphus.
Whose imagined happiness was handed by
one in Tartarus, gathering with constellations.
As if the stars had any concern for us.
Being ignorant on the origins of beauty,
and hubristic to the origins of ugliness.
My hands toiled not, greed comforted me.
Spoiled by comforts, attaining desires.
I lived as death, gorging on goodness.
Expedience came, as it left:
covering my nakedness.
Still, I hunger and thirst,
there must be such a thing
as drink and food first;
that fill, quench and spring.
as sure as the dawn poetry's avatar
as sure as the dawn poetry
Sheila Bair
Prompt #3 Refrain:
Yet you are always with me
you are anchor spinal cord breathing beating chest on whom I rest lean
Yet you are always with
you surround embrace me reclaim me never abandoned never orphaned alone
Yet you are always
you scoop me up receive me into love endless bottomless first gasp to last unfailing
Yet you are
you never change never vacillate hesitate I cling to your solid rockness sureness
Yet you
infiltrate me contain me the air surrounding me breath inhaled life held
Yet
there is nothing I can do to drive you away
nothing I can do to make you stay
you are yesterday tomorrow today
you are always
you are with
you are
you

At the Same Time

A friendship in translation
Arrowsmith Press, 2025
Poetry in Translation10 LIKES4 RESTACKS
Carla Galdo's avatar
Carla Galdo
I’m a poet and translator in the thick of learning Polish…. I learned Spanish to fluency in my youth, and have wrangled briefly with a number of other languages. Polish may be the only other language I stick with for the long haul, and this strikes me as so true : “This I believe is the bell curve of learning a language: at first it seems impossible that you’ll ever understand anything, then you understand things and it’s euphoric, and then you see more clearly the abyss of all you don’t understand and it seems impossible that you’ll ever understand anything.”
Also, I how amazing to be an “Armando” at such a festival. A dream!!!




Writing, Poetry and Me

White Rabbit Monday Featured Poet Gary L. Taylor
Thanks for reading White Rabbit Poetry Society! Subscribe for free to receive new posts and support my work.
Dorie Snow/雪多丽15 LIKES6 RESTACKS
Phoeby's avatar
Phoeby
I admire Gary very much. He is a very good writer, one who inspires me, and his perseverance is a constant lesson for me.
I was glad to discover even more about him in this essay.
Thank you, Dorie, for this opportunity. And thank you, Gary, for letting us be carried into your world.

Incandescence

My Mother's Light
Incandescence
Plein Air Poetry, Brad Davis, and Alexandra McIntosh24 LIKES5 RESTACKS
Abigail's avatar
Abigail
Oh my😭